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Watch Supermodel Karen Elson Prep for the Erdem Show

Vogue spent the day with Karen Elson during London Fashion Week.

Director: Talia Collis
Director of Photography: Connor MacLeod
Editor: Sam Norton
Audio: Andy Watson
Color: Keyhan Bayegan
Supervising Producer, Vogue: Jordin Rocchi
With thanks to The Ritz London, 150 Piccadilly, London W1J 9BR, United Kingdom, +44 (0)20 7493 8181, www.theritzlondon.com
Vogue Runway: Nicole Phelps, Steff Yotka, Laird Borelli-Persson, Irene Kim
Production Manager: Edith Pauccar
Production Coordinator: Kit Fogarty
Post Production Manager: Marco Glinbizzi
Senior Director, Production Management: Tina Magnusson
Manager, Creative Development, Vogue: Billie JD Porter
Director, Creative Development, Vogue: Anna Page Nadin
Director of Content, Vogue: Rahel Gebreyes
VP, Digital Video Programming and Development,Vogue (English Language): Joe Pickard

Released on 03/10/2022

Transcript

You'd think after all these years

that this would be like a piece of cake.

Karen?

Yes.

Erdem.

My camera's thinking.

[Karen laughs]

My camera's nervous.

[upbeat music]

Hi Vogue.

I'm Karen Elson and you are coming along with me

to the Erdem show, but before we do that

come inside, we're gonna have a little bit of a chat.

Obviously I've gotta have a lot of coffee.

I'm jet lagged and I need to be on.

London fashion week for me,

obviously I'm British, so I might be biased

but it's the height of creativity.

I think there's something a about British fashion

that is always so unique and cutting edge.

Yet at the same time, there is this sort of finery.

And it's the first time I've walked in a show

in London since this whole COVID nightmare began.

So, you know, just to be at London fashion week

it's very personal.

Come in. [Karen laughs]

I'm gonna be really honest.

I am a high-end beauty addict.

This thing here, Augustinus Bader.

This is sort of like the secret elixir for my skin.

And this tends to be sort of my go-to for all things.

And this is my dress for the day.

So I was scouted, I wanna say I was 14 or

15 years old in Manchester.

And I think there was a little bit

of time where people were figuring out, you know

am I too young to leave home?

But I was insistent

that I was going to try and make it as a model.

And I'm gonna be honest the first two years,

I really didn't have any form of success at all.

It really wasn't until I was

in New York and I met Steven Meisel, that things took

off when I did my first Italian Vogue cover.

But I was quite polarizing back then,

the way I looked should I say it was polarizing.

There was a headline that I was a freak.

I'd go on shoots, and if the dress didn't zip-up properly

there'd be just endless criticism

or people telling me what diet to go on.

As I've got older, I felt a real responsibility towards

the young people who are entering the fashion industry

to be honest about the pressures of the industry

and also to encourage the industry,

the fashion industry in general, to change its ways.

Because it is such a brilliant business

in so many facets of it, yet the experience of

being a model for many models

unfortunately can be harrowing.

And often you don't feel like you can stand up for yourself,

because you might get blacklisted if you do.

So during the pandemic, I started this Zoom sort

of session called the Model Mentor, where we just talk

about various issues, especially about,

body image, the lack of financial transparency

that happens in the modeling industry.

And in a way, just trying to give these young people

the tools, the more models can sort of articulate

and stand up for themselves

and demand that they are treated with just basic dignity,

the more the industry will understand that has

to become the norm.

All right, let's go, I'm running a bit late.

The later I get to the show,

the more chaotic it's going to be.

It's the first time that I'm walking in Erdem show

and Erdem's clothing in general tends

to be incredibly feminine and incredibly sort of delicate.

And while there's still those elements in there

this definitely I can tell

is him going in a new direction, which is exciting.

I've gotta say Grace Coddington

has been, from the beginning, a mentor.

Before my first American Vogue shoot.

I met with Grace and she schooled me before

I met Anna on what to say, how to act.

I came in in a ratty vintage coat,

and she told me to take it off. [laughs]

And I think her and Tony Goodman gave me another outfit

to wear, which is really sweet.

But Grace has always been somebody who's had my back.

Obviously I'm, you know, a pale ginger as well,

so we have that comradery

and we both are obsessed with cats.

So clearly Grace and I were gonna get along.

And also Tabitha Simmons.

She's been my dear friend since I was 16.

I met Tabitha when I was modeling in Tokyo.

Edward as well, Anifall.

I mean another person I met when I was 17 years old.

And he's been a dear friend ever since.

And it's just wonderful to watch your friends

and people you love go from strength to strength.

The look today is quite androgynous,

hair sleek, slick back, far apart,

it's very simple.

This is the lovely Lindsey Wixson, who is an amazing model.

And I haven't seen you in a very long time.

I remember seeing you at Anna Sui

being so awestruck with you.

Oh really? Aww!

You're gonna go to Italy and Paris?

Yes.

Nice.

These days, all I can do is walk in a few shows.

I'm not gonna say I'm too old.

It's more just my patience.

Been there, done that.

Have we ever. Oh, wait so what's this thing?

Oh, that'll be fun for photographs.

Won't it?

All right. Now I've gotta get my nails done.

I'll follow you.

So you can imagine if you're doing this like

five times a day, how skin gets really hurt,

after a time or like irritated

Many years ago I had hair extensions in from one show

and I didn't have time to take them out

before I was running to the next show.

And then the hairdresser didn't have the time

to cut the extensions out, so we decided to just cut

and cut this much of my hair.

[Woman] Stop it!

It was a good day.

I've got a few things going on here.

This is why I need a alone time in the morning

because when I show up to fashion shows, I'm claustrophobic.

So then I get a bit panicky.

Oh, french fries.

Oh, I haven't had those is years.

Don't mind me. [laughs]

Hi! Enjoy.

We're gonna go downstairs,

do the rehearsal, stick the shoes on

see the runway, and fingers crossed

it all goes well.

We're somewhere in between 1930 and 1935.

We're in a club. It's at the end of the night.

Meandering around and we're about to leave the club.

And you're gonna be walking in and out

of these kind of beautiful pools of light.

It's a little bit of a complicated runway

which now I'm super anxious because I'm opening the show.

So if I screw it up, everyone's gonna screw it up.

[laughs]

Diagonal, down, diagonal, down, off.

[soft piano music] I can't see shit!

Look how gorgeous it is.

The beautiful lighting, we've got an incredible pianist.

And that definitely sets the stage for how I am gonna

be as a model on the runway.

Off this way? Which way?

Got it.

This is a very poetic show.

And what we're doing is supposed to reflect that.

And I think not taking too much away from the clothes

we're a character, you know, an androgynous 1930s

very artistic lady, and very confident

but not overly confident where it seems rash and insincere.

So this part here is where I get my I photograph taken

which is very important,

because that is the image that stays on Vogue Runway.

And it's the image that captures the look. Right here.

Hi, gorgeous.

[both kisses]

Are you ready for a show?

I'm nervous, but I'm ready for your show.

That's for sure.

Look at this gorgeous look.

I thought Karen was the perfect actress to

embody the character of the season.

Well, thank you.

I'm so thrilled.

It's an honor to be in the show.

Thank you so much for having me.

I really mean that.

Should we do it?

Yes, let's do it. Let's do it.

[crowd chattering]

[upbeat music]

You look great.

You look great too.

Thank you.

[Karen sighs]

Okay. We're shutting doors.

So that's two minutes.

That's a two minute cue.

There's always something last minute happening.

Thank you for having me.

Thank you for doing this.

Anytime! Wish me luck!

[soft piano music]

[people chattering]

[audience applauding]

[crowd cheering]

That's a wrap guys. The show's over.

Thank you you for following me around all day.

Wait, I have to get in this picture, sorry...

on my diary of a model.

Thanks for joining me today.

And I hope I'll see you all soon.

Take care.

My three non-negotiables

for young aspiring models.

[Karen sighs]

Develop your sense of self.

Having a rich personal life outside of the fashion industry.

That is the thing that saved me over the years.

Number two, know your worth.

And number three is even though the going gets tough

in this business, try as best as you can to make the most

out of it because there's a lot of joy to have.

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